Girls In The Windows
Photographed by Ormond Gigli on East 58th Street in Manhattan in 1960, just prior to the building’s demolition in order to make room for a high rise.
Prime “Breakfast At Tiffany’s” era.
Photographed by Ormond Gigli on East 58th Street in Manhattan in 1960, just prior to the building’s demolition in order to make room for a high rise.
Prime “Breakfast At Tiffany’s” era.
Manhattan
I remember hearing this as a kid, and thinking that it didn’t sound like any music I’d ever heard before. It still doesn’t.
But each time I listen, my spirits rise, and that is a good thing in these perilous times - especially on a commemorative day like this one.
When you’re in Manhattan, moving around over and under the grid on your way to and from work, or on vacation, you’re aware of Central Park, but not really of its scope until you see photos like this one. And I doubt that anything of this scale could be accomplished in a city again.
Robert Moses disrupted and damaged the lives of thousands of people in the implementation of his various highway plans in and around the city and has rightly been held accountable, but he did protect and expanded the recreational opportunities available within this incredible space.
Tina Mazzini Zuccoli, photographer.
New York City. Untitled (woman standing by 23rd Street IRT station, from the series “Chelsea Document”), 1939
In many ways, the years 1960-1964 were a extension of the 1950s. Most photos and videos (and movies) of Manhattan show men and women in traditional suits and dresses, in the styles of the Fifties.
But Greenwich Village has always been an enclave within Manhattan where non-conformity reigned. While the people in this photo appear to us to be “dressed up” compared with people on the street today, the style is a lot more relaxed. It’s just a wonderful little time capsule, just before the culture and styles changed so radically in the late 1960s.
In the rain.
I love the city through all its seasons, but most of all when the leaves change their colors.
You may never have heard of James Wolcott, but the boy sure can write. Especially about New York in the CBGB days of the 1970s. It's a good analog to HBO's "Vinyl".
"Loft living then wasn’t the luxury alternative that it later became with the rise of SoHo and gentrification with a vengeance in Tribeca and beyond, as lofts became synonymous with airy storage units of flooding sunlight, gleaming bowling-alley hardwood floors, and quirkily amusing, slayingly chic art pieces chosen and arranged just so as tribal taste trophies, a photo layout of a setup perfect to raise a super-race of test-tube babies. Loft living in the mid-seventies was still in its pioneer post-factory, rat-haven phase, the elevators lowering and lifting like a large, groaning apprehension (as if operated by Marley’s chain-hanging ghost from A Christmas Carol), the thick-piped plumbing still in its early Soviet phase, these industrial garrets too hot in summer, too cold in winter, but spacious enough to carry a bowling-alley echo.”
Excerpt From: James Wolcott's “Lucking Out.” Doubleday, 2011-10-25. iBooks.
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I usually am anyway, but after last night's Republican debate, even more so.